Oct 3, 2008
A while back we interviewed Kyle Cooper, the title-sequence legend responsible for the Seven title sequences and touted by many as the most influential title designer since Saul Bass. Well they have a full site up now, rather than just random video clips and they have an incredible showreel on there which is like a cross-section of modern title sequence and advertising design. My personal favourite is the retro-tinged Superman Returns credits, although the Iron Man titles are pretty damn slick as well! You can watch the individual clips on the site as well, so you can check them all out for yourselves!
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POSTED BY Jon ... ...
Feb 19, 2008
As someone who has worked on a host of the biggest movies to have hit our cinemas in recent years, Susan Bradley has a wealth of experience in title design, graphics and direction in the movie industry. She was manager of Walt Disney Studios’ Title Graphics Department for six years before moving on to design titles for a number of live action films. In 2006 she teamed up with the Pixar gang and was involved in their animated success, Ratatouille. We were lucky enough to grab some of her time to ask her some questions about the film, the studio and her love of title design.
Continue reading “Pixar, titles and type with SUSAN BRADLEY”
POSTED BY Jon ... ...
Aug 5, 2005
Kyle Cooper specializes in title sequences. Not just bog-standard ones though. His are like mini-movies in their own right and they revolutionised the way we all look at film credits. His work on the intro sequence of Seven won universal acclaim and established him as a big player in the movie industry. You’ll recognise a lot of his work: Spiderman, Spiderman 2, Mission: Impossible, The Mummy, Braveheart… the list goes on and on. He’s now even ventured into video games and commercials. So what makes a successful title sequence designer? We spoke to him to find out…
Continue reading “Talking title sequences with the master… KYLE COOPER”
POSTED BY Jon ... ...
Jul 14, 2005
Karin Fong is Creative Director at creative power-house Imaginary Forces. As part of the Imaginary Forces team she’s worked on film title sequences such as The Cat In The Hat, Hellboy and Daredevil, and she’s now enjoying the challenging prospect of designing for massive, outdoor visual displays. We caught up with her to find out a bit more.
Continue reading “Imaginary Forces at work with KARIN FONG”
POSTED BY Jon ... ...
